Friday, March 21, 2025

What Lens?

Often I am asked what lens should I use. That is not the question you should be asking. If you're with a familiar group that has knowledge of you gear and the WHY, you might ask.

However you need to ask a more specific question. FF or Not, Why are you taking the photos, what are the goals, artistic, journalistic, wildlife, ...

Even then who can remember the possible combinations?

You need to know your gear, the tools in you photography toolbox and how to use them. 

This is just an example for my gear and a tool.

https://drive.google.com/file/d/15BbyNLdKOnVYUhXBUwDsH5zY5sg1FZOP/view?usp=sharing

Monday, March 17, 2025

Natural Light

I received an email from light stalking "Hi there!

 

Ever wondered why some photographers consistently produce stunning, magazine-worthy photos? 

 

It often comes down to one fundamental photography skill: mastering natural light.

 

Without this knowledge, even your best compositions can look flat, lifeless, or muddy. It's frustrating to line up what should be the perfect shot, only to find your subject looking dull or your colors muted.

 

The good news? "


Basically a sales pitch. But that got me thinking about my photography and what techniques and "drills" can I do?  So I asked chatGPT.

https://chatgpt.com/share/67d83e94-9a88-8009-90b9-7cdb9ad8a1ed

It mentioned exposure compensation but for RAW and without Auto ISO use a fixed ISO and only change one setting at a time. For example for a specific Aperture only change the shutter speed.

Also you may consider using the app Photopills on your cellphone to view sun and moon direction.

Thursday, February 27, 2025

Memory requirements, Mac?

Always do your own research. 

I subscribe to several photography education sites. Sometimes they provide conflicting opinions. What is the real, IMHO, answer?

I am suspicious of AI but I use it to compare Q&A's.

Following are a comparison of a question submitted by Ask Tim Gray and the same question submitted to Gemini and chatGPT.

From Ask Tim Gray

"Today's Question

I need to purchase a new Apple computer. I don't understand unified memory and how much I need. I may run Photoshop, Lightroom, and Bridge, along with possibly Denoise AI and Helicon Focus at the same time.


Tim's Quick Answer:

Unified memory refers to a single pool of memory in a computer used for both the main processor and for the graphics processor. This means you should opt for more memory than you otherwise assume you need, because there is not separate memory for the graphics processor."


The same question was submitted to popular AI chat boxes.

 From Gemini "It's wise to consider memory needs carefully when purchasing an Apple computer with unified memory, as it's not upgradable later. Here's a breakdown of what you should consider, especially with your intended software usage:

Understanding Unified Memory

 * How it works:

   * Apple's unified memory architecture integrates the CPU, GPU, and other components, allowing them to access the same pool of high-bandwidth memory. This results in significant performance gains, especially for graphics-intensive tasks.

   * Unlike traditional RAM, unified memory is shared by all components, so it benefits both CPU and GPU performance.

 * Why it matters:

   * Because it's integrated, you must decide how much you need at the time of purchase.

   * Applications like Photoshop, Lightroom, Denoise AI, and Helicon Focus can be very memory-intensive, especially when working with large files.

Memory Recommendations for Your Workflow

Here's a general guideline based on your software usage:

 * 16GB:

   * This is the absolute minimum I would suggest. While it may handle individual tasks adequately, running all those applications simultaneously could lead to performance bottlenecks.

   * If your work is light, meaning small batch processing, and smaller image files, this may work.

 * 24GB or 32GB:

   * This is the sweet spot for professional photo editing. It will provide ample headroom for running multiple applications simultaneously and handling large files.

   * Given that you're using Denoise AI and Helicon Focus, which are known to be resource-intensive, 24GB or 32GB is highly recommended.

   * This will allow for smoother workflow, and less time waiting for software to process.

 * Why more is better:

   * Photo editing software, especially those using AI (like Denoise AI), benefit greatly from more memory.

   * Having extra memory allows your system to cache more data, reducing the need to access slower storage.

   * Future proofing your purchase. Software requirements generally increase over time.

Key Considerations

 * File Size: If you work with very large files (e.g., high-resolution RAW images), you'll need more memory.

 * Workflow: If you frequently multitask between these applications, prioritize more memory.

 * Future Needs: Consider how your needs might change in the future. It's better to have too much memory than too little.

In summary:

For your workflow, I strongly recommend aiming for 24GB or 32GB of unified memory. This will provide a smooth and efficient experience, allowing you to work without frustrating delays."


chatGPT 

"Unified memory on Apple computers is a shared pool of high-performance memory accessible by both the CPU and GPU, which improves speed and efficiency. For running Photoshop, Lightroom, Bridge, Denoise AI, and Helicon Focus simultaneously, I recommend at least 32 GB of unified memory to ensure smooth performance and multitasking. If you work with large files or do extensive editing and rendering, consider 64 GB for maximum efficiency.


Would you like help choosing a specific model or guidance on other specs?"


My choice? You can't go wrong with more RAM. But I'm a Windows PC user.

Wednesday, February 12, 2025

Your Camera doesn't See What You See

It should be no surprise that you camera image doesn't look like what your eyes see. 

Your lens focal length and distances between subject and background/foreground can drastically change what your eyes see. 

Often you read or hear that editing a photo is changing reality. What it reality? As Adam Savage said . 
Is your photo reality?  Your digital image is a collection of data that was interpreted of shades of gray of  the red, green and blue filters on your sensor. An A to D,  Analog to Digital, converter and complex algorithms create an image you can view.


Monday, February 10, 2025

Shoot the Moon

When you try to get a well exposured landscape you usually get a nice landscape you get a white dinner plate for a moon. How do you get a good moon, some features, and a great landscape? It's very if not impossible in a single shot. The one you see are most likely a composite.

This is one way,
This is another way,
And from Photopills I like this one better Outdoor Photography School

Yes this was done with an Olympus but most modern digital camera be able to use this double exposure technique. "The ability to create multiple exposures is certainly not new to photography and definitely not propriety to Olympus cameras. Most newer models of digital cameras have this setting and they all work in basically the same way. If you are looking for a way to add interest to your next shot of"

Ok, I just had to do a quick try at 0800.. 




Why use Auto Mode on your camera?

Where do I start for my settings?
It depends. What is your creative vision?  What is most important in your photo? What controls my artistic vision?
This video may be helpful. 

https://youtu.be/55Ru4DI8qSs?si=TOkmTfIy-9-zjW-R

Tuesday, February 4, 2025

What Interests you?

When one of my photographers friend has a problem or a question that prompts me to research it, test it with my camera, take a series of photos to demonstrate it.

Please use the comments to let any photography topic you would like me to cover.

Thursday, January 30, 2025

Adobe cloud & ecosystem

Some are suspicious of anything with the word "cloud". Your email is in a cloud. Using the WWW, World Wide Web, is in a cloud. Facebook, Instagram and all social media is in a Cloud.

The Adobe Cloud is no different. Using Lightroom Classic sync is no different, as is Lightroom, mobile, Web. 

When you use Lightroom Classic sync your images are in the Adobe cloud. You can access, share and arrange them in Folders and Albums.

This video by Terry White should get you started https://youtu.be/kcO4Emc70KY?si=LXB4a-3OatMpega1


Wednesday, January 22, 2025

Histogram? Loss of data?

Histogram?

The histogram represents a tonal range of 256, 0-255, values. Spikes on the left or right indicates a loss of detail.

Our cameras use 10 to 14 bits per color. Each color has 1024 to 16384 values of tonal range.

My question is how to change 1024 or 16384 to 256?

To get 1024 to "fit" 256 you group 4 shades to 1. 16384 to "fit" 256 you group 64 shades to 1.

It's like breaking a mile to quarter mile segments, yard, feet, inches, in...
Just like breaking down a mile into smaller units (quarters, yards, feet, inches), a histogram attempts to represent the vast range of color information (10-14 bits per color) into a much smaller number of levels (usually 256).

Mile: Represents the full range of color information captured by the sensor.

Quarter Mile: A larger division, still representing a significant portion of the overall distance.

Yard: A smaller division, providing more detail within the quarter mile.

Feet: Even smaller divisions, offering more precise measurements.

Inches: The smallest unit in this analogy, representing the limited number of levels (256) in the histogram.

This analogy highlights how the histogram, with its limited number of levels, simplifies the vast amount of color information captured by the sensor, potentially leading to a loss of fine detail.

Some time in 2019 I purchased my Nikon D5500. Later I bought 2 ebooks by Steve Perry, "Secrets To Exposure And Metering For Nikon"  which I quoted below 

"The Histogram Lies To RAW Shooters If you’re a RAW shooter - and you should be - there’s an important asterisk associated with all of the info we just covered. When you look at the image and histogram on the back of the camera you are NOT seeing the real RAW image – only an embedded JPEG created from the RAW file. (GASP!) Sometimes even if a histogram indicates blown highlights or solid blacks, there may still be some detail you can recover later with your RAW processing software (especially true for clipping on the left side). If you’re way under or over (highlights are especially problematic), feel free to assume the photo is going to see the inside of the virtual trash bin. Also, since the camera is generating the histogram from the embedded JPEG file, you have to consider what picture profile you’re using. A profile with more contrast will tend to show clipping before a profile with a flatter rendition, even with the same exposure. And of course RAW has more latitude than any embedded JPEG." 

Sunday, January 19, 2025

AI vs EI and how they can work together

Ok Larry just what ie EI?

We know AI is Artificial Intelligence where powerful computer's and algorithms come up with responses.
Where as Experience Intelligent use your experience, knowledge and studies provide Intelligence.

At many times when I asked chatGPT or Gemini a question they provided an incomplete answer.
That's where Experience Intelligent can help AI. 

You need your EI to know that AI is not complete. Often times rephrasing your questions leads you to a better answer. Sometimes a response leads to a normal search that provides the answers or something you hadn't considered.

What's the point? Use both but don't forget your EI.

Visual Hook

Next week's photo challenge is to take a new photo(s), up to 3, that creates a visual hook. "The best visual hook is one that resonates with the viewer on a personal level."

I asked this challenge to hopefully get us thinking. We are taught about cameras, lenses, settings, "rules"/guides of composition.

But what make you stop when scrolling the social media photos?

What is it? Camera, lens, settings, lines, 3rd's, framing, ... What make you stop.

A visual hook in Photography is an element that grabs the viewer’s attention immediately and holds their interest. It often creates a focal point, adds depth, or elicits an emotional response.
To find inspiration, consider:
Exploring different photographic techniques: Try experimenting with different angles, perspectives, and lighting.
Looking for unusual subjects: Seek out the unexpected and find beauty in the ordinary.
Paying attention to details: Notice the small things that often go unnoticed.
Studying the work of other photographers: Analyze what makes their images compelling.

Saturday, January 18, 2025

Yet another post about Composition?

Is it technical or vision that makes a good photo. 
It's both but great composition can be ruined by poor technically executed photo. Like wise a technically executed photo can be boring.

I believe minor technical errors will be ignored by a strong composition.

Searching my blog for "composition" will have many posts.

This link has another view -> I'm against teaching composition rules. Rigorous following on the rules of composition leads to  a lack of creativity.
I believe that they are guides but it is more helpful to actually show examples of good composition.
This discussion from Light Stalking is more informative than "rules" https://www.lightstalking.com/composition-mistakes/

Friday, January 17, 2025

My Photography Hangout

I'll be using my discord hangout for posting many that I've been posting here.

You may choose to join my hangout here -> https://discord.gg/UM4k6QBB